MATHIAS MALLING MORTESEN BLUE
22 April - 22 June 2023 Galleria SARP
SARP is pleased to present Mathias Malling Mortensen's second exhibition in Sicily. After the success of the artist residency program in Sicily at Palazzo Previtera in 2021, Mathias Malling Mortensen reinterprets the color blue: in its purity and in its nuances, in the variations of intensity that determine the very structure of his signature works: paper-cuttings. When observing these works, we notice the use of paper and in particular, the full gesture of the hand’s sign, a sign that is expressed both in the geometric figures and in the relationship between line and surface.SARP is pleased to present Mathias Malling Mortensen's second exhibition in Sicily. After the success of the artist residency program in Sicily at Palazzo Previtera in 2021, Mathias Malling Mortensen reinterprets the color blue: in its purity and in its nuances, in the variations of intensity that determine the very structure of his signature works: paper-cuttings. When observing these works, we notice the use of paper and in particular, the full gesture of the hand’s sign, a sign that is expressed both in the geometric figures and in the relationship between line and surface. Georges Salles claimed that the art of painting is above all an art of thinking. In the works by M.M.M. each geometric figure, like monads, is connected to each other by a series of connections, of ramifications that link each paper cutting to a wider network of abstracted figures. These paper cuttings denote a presence of relationships, of emotional exchanges that the individual weaves with the environment at the level of object and subject relationship. The geometric figures are mutually united by a network of exchanges, by a force and energy of vitality which keeps them in relationship and supports them. An empathy crosses the figures between them, a psychic network of fragmented images and signs. The works presented for this exhibition are bodies that embody a set of singular events, and the relationship activity is expressed above all in seeing and taking care of the world, supporting the web of connections so that no one is left alone. The immaterial matter of this project finds its expression in the spatio-temporal concreteness of the concept of a body, possible and singular perspectives, body interpreted as a life path that leads from the possible to the real in a process of identification and explication of fragments. The network of paper cuttings is marked by an edge which determines the boundary and traces a demarcation line between the external world
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